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Dialogism, pragmatism, deconstruction, cybernetics
In linguistics, social theory, the philosophy of language, and cybernetics, the dynamic of meaning does core work with no aesthetics anywhere in view. Here it is not even a department; it is the load-bearing thing, going by names no one would shelve under art. Look at what is doing the work.
Dialogism, in Bakhtin: a single utterance is already plural — heteroglossia, the many social voices alive in one tongue, and double-voiced discourse, two accents in one word. “The word in language is half someone else’s” — the shared register and the private charge contending inside one sentence. (Behind Bakhtin, Voloshinov’s account of the social sign is carried on the dialogism page.)
Pragmatism, in Dewey: in Art as Experience the aesthetic is the quality of a transaction between a living being and its environment — meaning made in the encounter, not deposited in an object and read off later. Here the dynamic shows as relation itself — the meaning living in the transaction, not in either pole.
Deconstruction, in Derrida: différance — meaning differential and endlessly deferred, for Derrida never coming fully to rest. That it never quite closes is the resonance here; how far meaning nonetheless settles is taken up on the SPLectrum side, not closed in Derrida.
Cybernetics, in Bateson: “a difference that makes a difference” — his definition of information, and of meaning, as purely differential, now at the scale of whole systems. The same differential pole runs in Derrida’s différance and the structuralists’ sign; here it turns up from a wholly different ground, with no aesthetics in sight.
Four grounds — dialogism, pragmatism, deconstruction, cybernetics — and on none of them is the dynamic called aesthetics; it does core work here as the dialogic word, as transaction, as différance, as the difference that makes a difference.
See also: Aesthetics (the surface this belongs to) · Dialogism · Pragmatism · Deconstruction